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- A Nod to Bob - The Fourth Dimension Revisited - Again.
A Nod to Bob - The Fourth Dimension Revisited - Again.
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Using just three coin envelopes, three business cards and a pen, and with no switches, steals, impression devices or electronics, this In my opinion, is probably the simplest, cleanest, and most versatile method for Bob Cassidy's 'Fourth Dimensional Telepathy' I’ve used to date.
Bob Cassidy’s has left an indelible mark on the world of mentalism and I truly believe that out of all his amazing contributions, his metamorphosis of Annemann’s original Fourth Dimensional Telepathy is a legacy that has and will continue to stand the test of time.
I’ve called this book ‘A Nod to Bob, The Fourth Dimension Revisited - Again,’ because I’ve already devised, performed, and discarded dozens of versions of this style of routine since I first read Bob Cassidy’s take on Annemann’s original fourth-dimensional telepathy decades ago.
I performed it exactly as Bob described it for years before I started to devise my own methods many of which I’ve published in different books or shared during lectures.
All of the 4DT innovations I’ve released so far, evolved over a twenty-five-year period, but over the past few years, I’ve come almost full circle and have found myself back to billets and envelopes.
Using just three coin envelopes, three business cards and a pen, and with no switches, steals, impression devices or electronics, this In my opinion, is probably the simplest, cleanest, and most versatile method I’ve used to date.
Welcome to ‘A Nod to Bob’.
I’ve called this book ‘A Nod to Bob, The Fourth Dimension Revisited - Again,’ because I’ve already devised, performed, and discarded dozens of versions of this style of routine since I first read Bob Cassidy’s take on Annemann’s original fourth-dimensional telepathy decades ago.
I performed it exactly as Bob described it for years before I started to devise my own methods many of which I’ve published in different books or shared during lectures.
All of the 4DT innovations I’ve released so far, evolved over a twenty-five-year period, but over the past few years, I’ve come almost full circle and have found myself back to billets and envelopes.
Using just three coin envelopes, three business cards and a pen, and with no switches, steals, impression devices or electronics, this In my opinion, is probably the simplest, cleanest, and most versatile method I’ve used to date.
Welcome to ‘A Nod to Bob’.
"Bob Cassidy’s work with Anneman’s Fourth Dimensional Telepathy is legendary. Seeing him perform 4DT live is a masters-level lesson in how to present mentalism in a way that maximizes the mystery, fun, impossibility and entertainment experience. I bought everything Bob put out on 4DT over the years and it was money well spent. As great as his performance was, there were certain things about the mechanics of his handling I didn’t care for: the need to create a Shaxon flap envelope for each show, the mis-labeling of the envelopes, and the pocket dump in particular. With A Nod to Bob, you have ingeniously eliminated all of these, with what may be the most streamlined, efficient handling yet. Three envelopes, three business cards and a couple of pens and you are ready to perform one of mentalism’s most impressive effects. Utterly brilliant."
Bill O'Connell
***
"I purchased “A Nod to Bob” last night and it’s absolutely brilliant. No faffing around with flapless envelopes, although that option is there if one really must and I can understand situations where that might be beneficial. As is typical of your work, it’s simple, straightforward, does exactly what needs to be done and leaves plenty of scope for performers to stamp their own personality. Love it x 1000."
David Numen
***
Bill O'Connell
***
"I purchased “A Nod to Bob” last night and it’s absolutely brilliant. No faffing around with flapless envelopes, although that option is there if one really must and I can understand situations where that might be beneficial. As is typical of your work, it’s simple, straightforward, does exactly what needs to be done and leaves plenty of scope for performers to stamp their own personality. Love it x 1000."
David Numen
***